He conducts research on physical movements that occur in places where multiple people gather. He has written essays on manga, anime, TV dramas, postcards, panoramas, and other topics related to the expressive history of audiovisual culture. His major publications include "Caregiver no Karada (Series Care)", "Why Does Mickey Whistle?", "How Songs Work", and "Balloon Theory: Manga Voice and Body". Ph.D in Graduate School of Science, Kyoto University). Professor, Faculty of Letters, Waseda University.

"Born in Tokyo in 1983. While attending university, he worked as a researcher at the Institute for Historical Studies, and currently serves as the institute's director. In 2017, he established goscobe Inc., the world's first corporate and social innovation consultant using historical analysis. He also serves as an outside lecturer in charge of history at ROCKET SIG, a project run by the Nippon Foundation and the University of Tokyo's Research Center for Advanced Science and Technology to discover exceptional talents, giving heated lectures to children with extraordinary talents. Representative of goscobe Co., Ltd., external partner of biotope Co., Ltd. "

Graduated from Keio University Faculty of Economics. PH.D. (University of California). After working as an assistant to Keio University Faculty of Environmental Information and Associate Professor of Tokyo City University, he became a professor of Keio University (2003) and professor (2008). We are promoting research on service design methods and industry -academia joint projects that apply economic geography, marketing theory, and behavioral science. Service Design Network co -representative.

He is a philosopher with an enigmatic Ph.D. in the field of human sciences. He studied philosophy, semiotics, and mental health with a focus on contemporary French thought. While exploring philosophy as a practice rather than as an academic discipline, he runs a place to learn philosophy and dialogue at his private school, "Tekijuku 2nd Gakusha". He is interested in the turmoil of the mind (conflict, upset, anxiety, etc.) that occurs on the part of the majority at the point of contact between the minority and the majority, and the behavior that accompanies it.

Composer and director. Born in Tokyo in 1992. He presides over the contemporary pop band Tokyo Shiokoji and the theater company Nutomic. In parallel with his band activities, he continues to ask the question, "What is performance?" and creates works that cross the realms of theater and music. As a composer of stage music, he has participated in Pascal Lambert, Q/Satsuko Ichihara, The Compsons, and Sada Iwabuchi. Lately, he's been busy organizing aimless gatherings.

An artist and a filmmaker born in Kanagawa Prefecture and currently resides there, he graduated Department of Musical Creativity and the Environment, Faculty of Music, Tokyo University of the Arts in 2008 and completed his master degree at Department of New Media, Graduate School of Film and New Media, Tokyo University of the Arts in 2011. He creates his work on the subject of invisible memories and visualization of unconsciousness using varied media. In recent years, he plies a method of mixing reality and fiction based on history and testimony he learns from his research. His selected exhibitions include “Foreshadows” (TOKAS Hongo, Tokyo) in 2019. “Readings about K” (Rikkyo University Niiza Campus, Saitama) in 2019. “Under Her Skin” (Nakacho House,Tokyo) in 2018. “Saitama Triennale 2016” (Ceremony Art Village,Saitama).

He has been active as a curator in Okinawa until 2013, and has been involved in solo exhibitions and art events. After two years of production as a markup engineer, he became independent as a web designer in 2015. Penne Co., Ltd. was established in June 2020. He is in charge of producing artists' portfolio sites and producing art projects.

Born in 1979. After graduating from International Christian University, he acquired MA at the London University Gold Smith College. After returning to Japan, worked at the Hiromura Design Office. As a graphic designer, he has been involved in various projects such as brand development and architectural sign plan. After independence in 2009, he completed a master's course at the University of Tokyo Graduate School of Academic Information. Design activities across various touch points against the backdrop of media theory and cultural anthropology.

Born in Tokyo in 1981. Graduated from Waseda University Graduate School of Letters, Department of Art History. From 2012 to 2017, he was in charge of planning and managing programs at SHIBAURA HOUSE, a community space operated by a private company. Interested in expressions born from everyday life and expressive activities through collaborative work with people and communities with diverse backgrounds, she is currently freelance in the management of art projects, production and editing of performing arts.

After studied architecture as a student, she became more interested in the relationships and activities of people born from the space than the space itself, and was involved in the management of community spaces, art projects, and performing arts. He is researching every day in search of opportunities to weave new ideas and questions through encounters with diverse people.

From 2000 to 2010, he was the director of the Image Forum Festival. He is currently a freelance curator. He has collaborated on numerous curatorial projects with the Maison de la Culture du Japon à Paris, Aichi Triennale 2013, Tokyo Metropolitan Teien Art Museum, Aomori Museum of Art, Nagano Prefectural Museum of Art, and others. He has planned and produced "Meguriai JAXA" (2017-), "Photography + Train = Film" (2018), "The Age of Joints" (2021-), "Tamaki" (2023), etc. Translated with DeepL.com (free version)

After working for TPT Theatre Project Tokyo, freelance since 2008. Worked with Mika Kurosawa, Akira Kasai, Yukio Suzuki, Maki Morishita, KATHY, etc. 2018-19 season Agora de la Danse (Montreal ) technical team. 2019 ACC Asian Cultural Council Grantee (New York).

Belongs to FAIFAI. Has been active as a costume designer since she was a student at Tama Art University. In addition to domestic and international stage productions, she has participated in works by artists in other fields such as opera, music, and contemporary art. In recent years, she has been involved in the theatrical works of Toshiki Okada, the contemporary art works of Teppei Kaneuji, styling for musicians such as Manami Kakudo and Kaho Nakamura, the opera “Yuzuru” directed by Toshiki Okada, the opera “Cavalleria/The Clown” directed by Kumiko Ueda, and the series “Great Journey” by Ryohei Kondo and Hanaregumi.

Born in Tokyo in 1976. His profession is to work with artists to technically realize “how to express what dwells in sound in this space”. He has been involved in a wide variety of projects such as PA for rock festivals, sound recording for movies, and sound design for installations. In recent years, his stage sound activities have increased, and he has been developing collaborations with artists who have attracted attention in Japan and abroad, such as Q/Satoko Ichihara and Akira Kasai.

Graduated from NY State Fashion Institute of Technology, USA, with a degree in graphic design and returned to Japan in 2007. While doing DTP work for a classical music information magazine, she also watched various dance works and attended contemporary dance classes. 2017, after leaving the company, she started freelance dance performance production. Mainly responsible for production management and performance production for Co. Ruri Mito, Asia Meets Asia, and UNIca.

Born and raised in Tokyo, she studied stage lighting in Kansai in the 1990s, and since 2002 has worked as chief lighting director at Dance Box in Osaka (since 2009 at Shinnagata, Kobe). She has worked with many contemporary dance choreographers and dancers including Maki Morishita, Pichet Klunchun, and Yasuko Yokoshi.